SFMOMA・optimizing for sustainability was the fun part

After three years of construction under the direction of architectural firm Snøhetta and environmental design firm Atelier Ten, the expanded and high-performing San Francisco Museum of Modern Art (SFMOMA) opened to the public in May of 2016.

Doubling the size of the museum and tripling gallery space, the museum achieved and surpassed LEED gold, working towards maximum sustainability. Optimizing for maximum sustainability was the fun part.

Building on the the science of conservation, born out of the World-War-II-era movement of London artworks to slate caves in Wales, and on the San Francisco mandate that all new construction meet USGBC LEED gold criteria, the SFMOMA initiated a Sustainability Roundtable to research solutions that would work for the museum. Participants in the Sustainability Roundtable included museum staff and representatives from Atelier Ten, Snøhetta, Taylor Engineering, The Getty, Boston’s Museum of Fine Arts (MFA), the Indianapolis Museum of ARt, and Stanford University’s Anderson Collection.

Testing approaches and combinations of approaches iteratively, the group determined to optimize “seasonal set points” and customized every aspect of the structure’s design and systems including mechanical, lighting, water, and HVAC.

See:

Optimize, Optimize, Optimize: Museum Conservation in the LEED Era” | Lindsey Westbrook, freelance editor and writer specializing in art, architecture, and design; clients include SFMOMA, SFMOMA

SFMOMA reopens with Snøhetta extension that triples its gallery space” | Dan Howarth, Dezeen, 28 April 2016

#art #museums #artmarket #SFMOMA #SanFrancisco #architecture #design #resilience #builtenvironment #buildingtech #construction #tech #energy #conservation #luxury #smartluxury #urbanluxury #realestate #LEED #Snøhetta #AtelierTen #TaylorEngineering #Getty #MFABoston #IndianapolisMuseumofArt #AndersonCollection #CO2 #H2O #collectionsmanagement #contemporaryart #engineering

towards ‘net zero’ construction for all buildings

“Our vision is to create possibilities to make net zero construction in an efficient way, giving everyone the possibility to do so.”

So articulates Jonathan Karlsson, Founder and CEO (with degrees in theoretical and construction physics) of Innenco, an international company based in Malmö, Sweden that performs.

Reports Inhabitat,

“It starts with their active systems: pipes are integrated into the frame construction to utilize a building’s thermal mass. Adding heat pumps and chillers to the system allows Innenco to get four to six times greater efficiency in heating and cooling. At this point they’re able to reduce energy by 85%, so to cover the last 15% they install Innenco Quantum Solar panels. ‘This makes an investment in solar cells much lower than a traditional system, and we can get net zero for a really cost-efficient investment.'”

See:

This new energy concept from Sweden can make any building net zero” | Lacy Cooke, Inhabitat, 11 October 2017

Innenco

#Innenco #Malmö #Sweden #JonathanKarlsson #architecture #design #energy #netzero #CO2 #H2O #buildingtech #tech #physics #builtenvironment #resilience #thermalmass #efficiency #energyefficiency #costefficiency #performance #luxury #smartluxury #urbanluxury #urbanliving #realestate #finance #ROI #construction #Inhabitat

iconic glass buildings ・energy neutral & aesthetically beautiful

Looking beyond roof surface to make modern commercial and residential buildings energy neutral, Physee, a tech startup headquartered in the Netherlands, has developed and installed the world’s first commercial, fully transparent solar-power-generating windows.

Ferdinand Grapperhaus, co-founder and CEO of the startup and a graduate of Delft Technical University, says “Right now, we are looking for iconic projects all over the world to show that a large glass building can be made energy neutral in an aesthetic way.”

“Large commercial estates consume a lot of energy. If you want to make these buildings energy neutral, you never have enough roof surface. Therefore, activating the buildings’ facades will significantly contribute to making the buildings energy neutral.”

Physee’s PowerWindows have solar cells installed in the edges at a specific angle. The angle allows the incoming solar light to be efficiently transformed into electricity.

The company is already working on second-generation technology that will triple the efficiency of the PowerWindows. The new technology is based on the ability of thulium to transform a broad spectrum of light into near-infrared light. Grapperhaus and his classmate Willem Kesteloo discovered this ability of thulium to transform a broad spectrum of light into near-infrared light in 2014 while studying at TU Delft.

The surface of the second generation of PowerWindows will be coated with a special, thuliam-enhanced material. This material will transforms oncoming visible light into near-infrared light. The near-infrared light will then be transported towards the solar cells at the edges of the windows.

The headquarters of Rabobank, the Netherlands’ largest bank, commissioned the first installation of Physee’s PowerWindows. The installation was unveiled in June in Eindhoven, in the south of the Netherlands.

Observes Physee’s Ferdinand Grapperhaus, “Large commercial estates consume a lot of energy. If you want to make these buildings energy neutral, you never have enough roof surface. Therefore, activating the buildings’ facades will significantly contribute to making the buildings energy neutral.”

The innovative solar technology has won Physee a place on the World Economic Forum‘s Technology Pioneers 2017 list.

The WEF’s 2017 list of Technology Pioneers,  announced on June 14, includes companies developing technologies including artificial intelligence, cyber security solutions and biotechnology. The pioneering companies are selected for their potential to change the world.

Physee’s presence on the list, observes Grapperhaus, shows that the world is starting to take climate change seriously:

“Ten years ago, sustainability was something that wasn’t taken very seriously — not by venture capitalists, not by many governments and neither by large corporations. What I have seen over the last three years is that corporations are becoming more and more responsible, governments are becoming more and more supportive, and venture capitalists are becoming more and more interested.”

See:

Transparent solar power creating windows debut” | BlouinNews, 29 July 2017

More Than a View: Windows Double as Solar Panels” | Tereza Pultarova, LiveScience, 3 July 2017

Introducing the Technology Pioneers 2017” | World Economic Forum

Physee | Forbes 30 Under 30 Europe

Fully tranparent solar charged PowerWindow” | Materia, 19 September 2016

#Physee #FerdinandGrapperhaus #PowerWindow #solar #solarenergy #architecture #design #climaterisk #Rabobank #finance #TUDelft #sustainability #venturecapital #WEF #WorldEconomicForum #TechnologyPioneers2017 #tech #buildingtech #startup #techstartup #CO2

David Zwirner ・forward-thinking art-world luminary

In a time of arguably increasing climate risk and concomitant regulatory risk, price risks, and prospective market adjustments, mega art dealer David Zwirner is a forward-thinking art-world pioneer and luminary. Mr. Zwirner has set a new environmental standard for art-related facilities while presenting a “a clean, elegant, modernist aesthetic that is very much about welcoming visitors today.”

During 2012’s Hurricane Sandy, more than five million gallons of water flooded the construction site of New York’s new Whitney Museum. In response, the engineering and construction of the museum building, the lobby of which is 10 feet above sea-level, and infrastructure were re-designed and re-engineered.

David Zwirner’s second Manhattan location, on West 20th Street, is situated in Chelsea close by the Hudson River. The 537 West 20th Street gallery opened in early 2013, mere months after Hurricane Sandy.

Designed by Annabelle Selldorf and design consultants Atelier Ten, the five-story, 30,000-square-foot structure is built to museum standards and to accommodate large-scale installations and the full range of artists the gallery represents. The gallery is also the first known commercial art gallery built to LEED Gold standards.

The building incorporates five green roof spaces, premium efficiency mechanical, maximized daylighting, and locally and responsibly-sourced materials.

Sound business sense.

See:

Frick Collection Names Selldorf Architects for Its Renovation” | Robin Pogrebin, The New York Times, 20 October 2016

This Quietly Elegant Architect is Now the Darling of the Design World” | James Tarmy, Bloomberg, 5 June 2015

Protecting Priceless Art from Natural Disasters” | John Whitaker, The Atlantic, 27 May 2015

Annabelle Selldorf Designs the New David Zwirner Gallery” | Samuel Cochran, Architectural Digest, 30 April 2013

David Zwirner Opens New Manhattan Gallery” | Tamara Warren, Forbes, 29 January 2013

David Zwirner 20th Street,” New York, New York | Selldorf Architects

David Zwirner

Selldorf Architects | Architects

Atelier Ten | Environmental Design Consultants + Engineers

 

#art #artmarket #architecture #design #DavidZwirner #AnnabelleSelldorf #AtelierTen #WhitneyMuseum #Whitney #HurricaneSandy #climatechange #climaterisk #regulatoryrisk #marketadjustments #finance #LEED #LEEDGold

21st c building design & construction ・re-exploring wood & rammed earth

While concrete, glass structures, polished stone walls, brick facades and steel beams now prevail in urban design, wood and rammed earth are getting attention.

The use of steel in urban buildings began with the production of steel in bulk. Mass production of steel was enabled by Henry Bessemer’s development of the Bessemer converter in 1857. Once steel could be produced in bulk, it became cheaper and easier to obtain.

The 10-story Home Insurance Building, completed in 1885 in Chicago, was the first building in the world to use structural steel in its frame. Due to its architecture and weight-bearing frame, the building is considered the world’s first “skyscraper.”

The 16-story Ingalls Building, built in Cincinnati, Ohio in 1903, became the world’s first reinforced-concrete skyscraper.

The production of steel and the production of concrete are, however, both energy intensive and carbon intensive. Steel and concrete have high levels of embedded energy. Neither steel nor concrete are renewable.

As of 2014, 54% of the world’s population lives in urban areas. The world’s urban population has grown rapidly, from 746 million in 1950 to 3.9 billion in 2014. The world’s urban population is expected to continue to grow – to 66% of the world’s population by 2050, surpassing six billion people by 2045.

With more people moving into urban areas, the demand for big buildings is likely to grow. The building industry (materials production, building technology, architecture, construction, …) is increasingly exploring the ratio of demand for buildings with the environmental impact of building materials.

Two building materials that are coming to attention are wood and rammed earth.

Wood is manufactured into large cross-laminated timber panels for purposes of tall building construction. Cross-laminated timber panels, a layered composite like a super-strong plywood, are made by gluing pieces of smaller wood together.

In order to build tall buildings, large wood panels that can be as large as 64 feet long,  eight feet wide, and 16 inches think  are engineered. Builders use concrete and steel only at high-stress locations like joints.

Architects are now able to build with timber, in tandem with precision digital manufacturing processes like CNC milling, to heights that have hitherto been unimaginable.

The environmental properties of cross-laminated timber panels make it even more attractive. As trees grow wood stores carbon dioxide, sequestering CO2 from the air. Michael Green of Michael Green Architecture in Vancouver, British Columbia, whose firm who recently completed T3, a seven-story building in Minneapolis that is now the tallest wooden building in the US, observes that wood is manufactured using solar power:

“Steel and concrete don’t grow back. They are not renewable materials. They are not even remotely renewable materials—they use massive amounts of energy in their creation, whereas the most perfect solar power system of making any material on Earth is the making of our forests.”

Rammed earth can be used for both residential and commercial buildings. Rammed earth walls are solid masonry walls. These walls are massive, built for the long term, and not easily replaced. That said, they are beautiful and contain a fraction of the embodied energy of manufactured wall products such as fired bricks or concrete blocks. Rammed earth walls also possess unique thermal qualities that keep residents cool in the summer and warm in the winter.

The market for rammed earth now includes both residential and commercial buildings. Commercial buildings built with rammed earth walls include wineries, resorts, offices, and university buildings.

See:

The Next Wave of Building Materials” | Emma Kantrowitz, CBRE, 6 July 2017

Get Ready for Skyscrapers Made of Wood (Yes, Wood)” | Elizabeth Stinson, Wired, 30 May 2017

Will Skyscrapers of the Future Be Built From Wood?” | Natasha Geiling, Smithsonian.com, 20 June 2016

World’s population increasingly urban with more than half living in urban areas” | United Nations, 10 July 2014

Chadwick Dearing Oliver, Nedal T. Nassar, Bruce R. Lippke & James B.

McCarter (2014) Carbon, Fossil Fuel, and Biodiversity Mitigation With Wood and Forests, Journal of Sustainable Forestry, 33:3, 248-275, DOI:

10.1080/10549811.2013.839386

“History of the steel industry (1850-1970)” | Wikipedia

Ingalls Building” | Wikipedia

Home Insurance Building” | Wikipedia

Michael Green Architecture, Vancouver, British Columbia

T3, Minneapolis, Minnesota

The Earth Structures Group

#architecture #design #smartluxury #construction #climaterisk #CO2 #energy #wood #crosslaminatedtimber #rammedearth #CNCmilling

the luxury market is driving LEED & green building tech

The use of  advances in green building technology and LEED (USGBC’s Leadership in Energy and Environmental Design) by U.S. developers and architects is increasingly market driven.

Such initiatives have oftentimes been borne out of environmental regulations and tax subsidies initiated at local, state and federal levels.

It appears, however, that such environmental regulations and tax subsidies are no longer sole primary drivers.

Rather, market demand is also driving the adoption of green building technology and LEED in the design and development of luxury buildings.

People understand the need for and benefits of green building technologies and carbon neutral energy programs. Developers, architects, and designers are beginning to follow suit.

Here are some examples:

  • Marcos Corti, CEO, Consultatio, the developer of Oceana, the first building on Bal Harbour, Florida to be LEED certified:

“The trend is to go LEED and to continue that path. It is on everybody. If the government or the leader is not going that way, I think the entire population is going that way, so it isn’t going to change.”

  • Stephen Glascock, President and Managing Partner, founded New York-based Anbau in 1998 based on the vision that “good design makes good business.” The Anbau focus is on residential condominium development in New York City, seeking value and appropriate risk-adjusted returns.

“We don’t get any subsidies for LEED stuff. All the sustainable stuff comes from what we feel is the right thing to do.”

  • Christopher Gandolfo, vice president of development, Swire Properties. Swire Properties is active globally. Brickell City Centre is 9.1-acre city-within-a-city, a retail-led mixed complex of luxury condo towers, class-A office buildings, a five-star hotel, and an open-air shopping center, engineered and built on platforms over the street level that link shops, restaurants, hotel and the other buildings.

“We are pioneer for the time. I’d like to believe other good developers will follow suit. It is up to the public to demand it to some degree as well.”

LEED “helps keep the very large team of designers, specialist consultants, and contractors who work on a project like 520 W 28th Street focused on the project’s performance and indoor air quality goals, and it gives our buyers an extra level of comfort that we achieved these goals.”

  • Brandon Specketer, partner at COOKFOX Architects, “architectural studio dedicated to a vision of integrated, environmentally responsive design. We believe good design is sustainable and we are committed to being wise stewards of our shared natural and cultural resources.”

COOKFOX project 550 Vanderbilt in Prospect Heights, Brooklyn utilizes Biophilic Design principles throughout the building to connect residents to the natural world for enhanced creativity, clarity of thought, and improved well being.

“LEED isn’t a checklist. It is a standard of quality that helps everyone meet a certain standard.”

See:

Green Building in U.S. Luxury Developments Continues to Flourish” | Ariel Ramchandani, Mansion Global, 29 May 2017

City in a city: Brickell City Centre set to transform downtown Miami” | Debora Lima, Miami Herald, 15 May 2016

550 Vanderbilt | COOKFOX

#realestate #luxury #smartluxury #LEED #greentech #Consultatio #Anbau #SwireProperties #RelatedCompanies #COOKFOX #realestatedevelopment #architecture #design #NewYork #Miami #climaterisk #urbanliving

 

MIT Media Lab’s paradigm shifting Digital Construction Platform

MIT Media Lab Mediated Matter group researchers realize a paradigm shift in architectural design, construction, and thinking with the Digital Construction Platform (DCP): custom, individualized buildings computationally grown and additively manufactured using on-site environmental data.

The Digital Construction Platform is a single, multi-dimensional system into which data gathering, analysis, design, architecture, and construction have been integrated.

The Digital Construction Platform (system) is operated electrically (photovoltaic charging is discussed), is free moving, and can be used to design and digitally construct, from locally available materials, multi-functional structures of any size in a single build.

Internal structure can be modified in new ways. Different materials can be incorporated and material density varied as design and construction proceeds to provide optimal combinations of strength, insulation, or other properties.

Benefits of structures built with this system include speed to market, less cost, and customization to the requirements of the site and the objectives of the maker.

Designed to be self-sufficient, the platform can be adapted to existing building sites, equipment, and building codes without requiring whole new evaluations.

Data about the site is collected using built-in sensors for temperature, light, and other parameters. This data is used in the design process and to make adjustments to the structure as it is built.

The use of on-site environmental data has many benefits. Data from sources such as derived ground-penetrating radar analysis of the site enables the placement of supporting pillars, for instance, in optimal locations.

On-site environmental data can also be used in the design of walls.

  • The walls may have varying thicknesses depending on their orientation. Thicker, more insulated walls can be built on the north side of buildings in cold climates
  • The walls may be configured to respond to local wind conditions. A relatively simple, yet entirely sophisticated, feature  such as a curve in the walls may help the structure withstand wind
  • The walls may be designed and built to respond to load-bearing requirements. Like columns, walls may taper from bottom to top as load-bearing requirements decrease.

The Digital Construction Platform features a scoop and a tracked vehicle that carries a large, industrial, precision-controlled robotic arm with a smaller, precision-motion robotic arm at its end.

Sourcing and use of local materials is discussed. The platform’s scoop could acquire local materials for the construction. The scoop would be used concurrently to prepare the building surface.

The precision-controlled arm can be used to direct both a conventional and non-conventional construction nozzle. The nozzles can be used to pour concrete and spray insulation material, can be adapted to vary the density of the material being poured, and can mix different materials as construction proceeds.

The precision-controlled robotic arm would also be used to direct additional digital fabrication and effectors, such as a milling head.

The platform embodies a shift not only in design and construction paradigms but a paradigm shift also in our thinking about buildings – from a “machine to live in, made of standardized parts” to “the building as an organism, computationally grown, additively manufactured, possibly biologically augmented.”

“‘The construction industry is still mostly doing things the way it has for hundreds of years. The buildings are rectilinear, mostly built from single materials, put together with saws and nails,’ and mostly built from standardized plans.”

Steven Keating PhD ’16, mechanical engineering graduate and former research affiliate in the Mediated Matter group at the MIT Media Lab. He led the development of the system as his doctoral thesis work.

From an architectural perspective the project “challenges traditional building typologies such as walls, floors, or windows, and proposes that a single system could be fabricated using the DCP that can vary its properties continuously to create wall-like elements that continuously fuse into windows.”

Neri Oxman, MIT Media Lab Mediated Matter group director and associate professor of media arts and sciences.

The robotic system is described in the journal Science Robotics (26 April 2017) in a paper entitled “Toward site-specific and self-sufficient robotic fabrication on architectural scales” by Steven Keating PhD ’16, a mechanical engineering graduate and former research affiliate in the Mediated Matter group at the MIT Media Lab; Julian Leland and Levi Cai, both research assistants in the Mediated Matter group; and Neri Oxman, group director and associate professor of media arts and sciences.

See:

System Can 3D Print an Entire Building” | Science Daily, 26 April 2017

MIT Develops a System Than Can 3D Print the Basic Structure of an Entire Building” | SciTechDaily.com, 27 April 2017, Source: David L. Chandler, MIT News

Publication: Steven J. Keating, et al., “Toward site-specific and self-sufficient robotic fabrication on architectural scales,” Science Robotics 26 Apr 2017:Vol. 2, Issue 5, eaam8986; DOI: 10.1126/scirobotics.aam8986

#architecture #design #construction #tech #realestate #resilience #smartluxury #art #MIT #MITMediaLab #3Dprinting

 

 

 

 

 

 

 

 


 

art & architecture | Selldorf Architects designs new premises for Berlin’s Esther Schipper

New York’s Selldorf Architects is designing the new gallery in Berlin’s Potsdamer Strasse gallery district for Esther Schipper.

The new Esther Schipper gallery address is:

Esther Schipper
Potsdamer Strasse 81
10785 Berlin

The gallery will be newly situated in a former printing and warehouse facility. The premises offer a 5,800-square-foot exhibition space split into a large primary room and a smaller, 1,500-square-foot space.

See:

New Project: Esther Schipper gallery in Potsdamer Strasse” | Selldorf Architects, 1 March 2017

We are moving!” | Esther Schipper

#art #artcollections #luxury #urbanluxury #architecture #realestate #Berlin