Gutai: Tsuruko Yamazaki

“Tsuruko Yamazaki endorsed a distinctly non-humanist view of agency by emphasizing the interface between material properties themselves”

Joan Kee, Professor, History of Art, University of Michigan, introduction to “Artist’s Portfolio: Tsuruko Yamazaki,” Artforum, February 2013

A founding member of the Japanese Gutai Art Association, Tsuruko Yamazaki (山崎 つる子) was the only woman artist who remained with the group from its beginning in 1954 to its disbanding in 1972.  

Tsuruko Yamazaki, “Work” (acrylic on canvas,  mounted on board, 1967). Take Ninegawa and Almine Rech.

Tsuruko Yamazaki joined Gutai’s major exhibitions, including the Outdoor Gutai Art Exhibition at Ashiya Park in 1956; the sixth Gutai Art Exhibition held in September 1958 at the Martha Jackson Gallery at 32 East 69th Street, New York (in the same townhouse now occupied by Hauser & Wirth) ; and the international group show “Nul 1965” at the Stedelijk Museum in Amsterdam (see discussion in “Zero: Let Us Explore the Stars,” 4 July – 7 November 2015, Stedelijk Museum, Amsterdam). 

Tsuruko Yamazaki, “Red (Shape of Mosquito Net)” (vinyl, wood, metal fixtures, wires, bolts, light bulbs, 1956). Installation view at  the “Outdoor Gutai Art Exhibition”,  Ashiya Park, along the banks of the Ashiya River, Hyogo, Japan, 1956. Image courtesy of Work” (Red Cube)“, the work was exhibited at the Guggenheim’s “Gutai: Splendid Playground”.

Tsuruko Yamazaki: Beyond GutaÏ,” the first solo exhibition of Tsuruko Yamazaki’s work outside of Japan, was held in 2010 by Almine Rech, Paris, organized in collaboration with Midori Nishisawa and Olivier Renaud-Clément (13 March – 30 April). 

Tsuruko Yamazaki’s work has been exhibited in major surveys of Japanese modern and contemporary arts. Examples include “Japon des Avant-Gardes 1910–1970” at the Centre Pompidou, Paris (1986); “Japanese Art after 1945: Scream Against the Sky,” curated by Alexandra Munroe, at the Yokohama Museum of Art, Japan, the Guggenheim SoHo,New York, and the San Francisco Museum of Modern Art (1994–95); and “Gutai: Splendid Playground” at the Solomon R. Guggenheim Museum, New York (2013).

She participated in the Forty-Fifth (1993) and Fifty-Third (2009) Venice Biennales.

Tsuruko Yamazaki is represented by the Tokyo gallery Take Ninagawa. Take Ninagawa exhibited “Work” (1967) at Art Basel in Hong Kong in 2017.

See:

TsurukoYamazaki at Take Ninagawa

TsurukoYamazaki (1925-2019), Artforum, 13 June 2019

Tsuruko Yamazaki, Art Basel

Joan Kee, introduction to “Artist’s Portfolio: Tsuruko Yamazaki,” Artforum, February 2013

Joan Kee, Professor, History of Art, University of Michigan; to be Clark Professor at Williams College, GradArt, spring 2021

Hilton Als, Joan Kee, Anne Lafont, Kobena Mercer to Join GradArt as Clark Visiting Professors,” Williams College / Clark Art Institute, 24 February 2020

Tsuruko Yamazaki: Beyond GutaÏ,” Almine Rech, Paris 13 March – 30 April 2010

Japanese Art After 1945: Scream Against the Sky,” curated by Alexandra Munroe,  Samsung Senior Curator, Asian Art, and Senior Advisor, Global Arts, at the Solomon R. Guggenheim Museum, New York

Zero: Let Us Explore the Stars,” 4 July – 7 November 2015, Stedelijk Museum, Amsterdam 

A Visual Essay on Gutai at 32 East 69th Street,” Hauser & Wirth, 12 September – 27 October 2012

Tsuruko Yamazaki, WikiArt

private museums | Oslo’s Astrup Fearnley Museet

The Astrup Fearnley Museum of Modern Art is a privately owned contemporary art museum in Oslo, Norway. The museum was funded by two philanthropic organizations, the Thomas Fearnley Foundation and the Heddy and Nils Astrup Foundation, that merged in 1995 to form the Thomas Fearnley, Heddy and Nils Astrup Foundation.

Established and opened to the public in 1993, the museum moved into two new buildings in 2012.

The two new buildings, located in the Tjuvholmen skulpturpark along the banks of the Oslofjord in the center of Oslo, are designed by Italian architect Renzo Piano (who also designed New York’s new Whitney Museum of American Art, the Los Angeles County Museum of Art, the Centre Pompidou in Paris, and the Fondation Beyeler in Riehen, Switzerland).

The collecting focus of the museum is Norwegian and international contemporary art. Artists represented include Olafur Eliasson, Francis Bacon, Janine Antoni, Dan Colen, Cao Fei, Olav Christoper Jenssen, Elmgreen & Dragset, Jeff Koons, Fischli & Weiss, Sigmar Polke, Richard Prince, Charles Ray, Gerhard Richter, Torbjørn Rødland, Matthew Ronay, Cindy Sherman, and Christopher Wool.

See:

Astrup Fearnley Museet, www.afmuseet.no/en/hjem;

Astrup Fearnley Museum, Oslo, Norge,” GoNorway

 

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