Good contemporary art reflects the society, and great contemporary art anticipates.
Donald B. Marron (quoted by Pace Gallery, “Acquavella Galleries, Gagosian and Pace to Handle Sale of Donald B. MarronFamily Collection”)
Kelly Crow of the Wall Street Journal has reported that two works by Pablo Picasso, “Femme au beret et la collerette” (Woman with Beret and Collar,” 1937) and “Seated Woman (Jacqueline)” (1962) have been sold from the Donald B. Marron Family Collection to collector Stephen Wynn. It is reported that Mr. Wynn paid approximately $105 million for the two paintings.
Sales of works from the family collection are being conducted by a collaboration of gallery greats – Pace Gallery, Gagosian, and Acquavella Galleries. Bill Acquavella (son of Acquavella Galleries founder Nicholas Acquavella), Larry Gagosian (founder of Gagosian), and Arne Glimcher (founder of Pace Gallery) each worked with Mr. Marron in the development of the collection.
The collaboration, “the first of its kind, signals a new way for families to handle the sales of their collections” (Gagosian).
Under the terms of the collaboration, the galleries are charged to work jointly and privately to place and sell the works in the market. They are charged, further, neither to disclose publicly what is or is not available for sale nor to disclose an estimate for the collection.
The collaboration appears to have been the brainchild of Marc Glimcher, son of Arne Glimcher and president of Pace Gallery.
Eileen Kinsella of Artnet News, reporting that the plan came together quickly, quotes Mr. Glimcher:
“’I heard that [the Marron family] were considering going to auction and I just picked up the phone and called Larry [Gagosian] and said, ‘We should really present an alternative to the family. It’s tragic for this collection to go to auction,’” Glimcher recalled.
“After reaching out to Bill Acquavella, who also had a longstanding relationship with Marron, “’we all came and presented an idea to the family of how we would do it” around a month ago.’”
The Acquavella family – sister, brothers, and father – came on board. Eleanor Acquavella, Bill Acquavella’s daughter, reports that they“’ liked the idea of competing with the auctions on a great estate.’” They acknowledged, however, that “it would be hard to pull off.'” The galleries would be required to “’compete financially,'” and otherwise, to win to the business.
Indeed. Financial guarantees for the collection, in the amount of $300 million, had been offered by auction houses Christie’s, Sotheby’s, and Phillips.
Especially in the face of those guarantees, “’“the key,’” observed Gagosian’s COO Andrew Fabricant, “’was to meet the fiduciary requirements of an estate, which is complicated.
“‘We had to convince the family and the lawyers. The challenge was to be in line and competitive and still have some daylight for running with an exhibition and sales.”
A joint New York exhibition of May and June, is being organized by the three galleries. Including works from the family collection together with loans from institutions, the exhibition “will chronicle Marron’s collecting activities, including his early acquisitions in the 1960s and 1970s, his museum stewardship, and his pioneering work reinventing how corporations build art collections around a singular vision.”
See:
Kelly Crow, “Steve Wynn Pays $105 Million for Pair of Picassos,” The Wall Street Journal, 24 February 2020
Eileen Kinsella, “The $450 Million Marron Collection Is the Art Market’s Ultimate Prize. Now, Three of the World’s Top Rival Galleries Are Joining Forces to Sell It,” Artnet, 19 February 2020
“Acquavella Galleries, Gagosian, and Pace to Handle Sale of Donald B. MarronFamily Collection,” Gagosian
“Acquavella Galleries, Gagosian and Pace to Handle Sale of Donald B. Marron Family Collection,” Pace Gallery
